Sunday, 17 May 2015

FILM INDUSTRY: MEDIA OWNERSHIP


      INSTITUTIONS & AUDIENCES (FILM INDUSTRY)

Section B question: What impact does media ownership have on the range of products available to audiences in the media area that you have studied? (January 2013)

  • State your area of debate: I have studied the film industry
  • State what you understand by media ownership and by audiences in the film industry: By ownership, I understand the various institutions that make and distribute film, such as the 'big six' Hollywood mega-franchises targeted at mainstream global as well as international audiences, the UK film industry with its different, smaller scale and national / US target audiences and independent film producers, often with national / niche audiences. I will illustrate these industries using Disney (Holllywood mega-franchise), Working Title (UK film industry) and small independents, niche films (TIL, A Day In The Life and vloggers like Casey Neistat).
  • State what 'range of products' could include: I interpret 'range of products' to refer to the formats in which films are produced for a range of platforms, such as for cinema exhibition,i n DVD and BluRay for home cinema, for downloading and streaming on the internet (such as Netflix offers) using portable platforms, for YouTube audiences and for IMAX screens. 
  • These products include the range of distribution products used by distributors to attract and address target audiences, such as TV and in-cinema trailers, film websites with interactive features, Instagram and Twitter feeds to satisfy audience's hunger for pre-release information.
  • I will also explain the way in which the mega-franchises like Disney can offer audiences a range of related products that create a synergy of cross-media ownership, through horizontal and vertical integration of products, such as theme parks, merchandise, TV shows, musical sound tracks, clothing, toys, comics and numerous sequels. 
  • Disney owns a group of companies that produce different products catering for different audiences: Pixar Animation Studios make animated movies for family audiences, Touchstone make darker movies geared towards adults, Marvel make comic- inspired superhero movies for teens and young adults, and Lucas Films make the blockbusters like Star Wars and Indiana Jones. The Marvel Cinematic Universe is currently the highest grossing film franchise and Star Wars the fifth highest. 
  • Whilst it may seem that the mega-franchises have the upper hand, I will provide examples that web 2.0 has been a game changer, allowing audiences to be both producers and consumers. Equally, I will argue that UK cinema looks to serve national audiences who do not necessarily demand a wide range of merchandise or theme parks, as long as they have a choice of platforms / formats.
  • Cover your debate through a range of contrasting case studies.
  • Remember the words "what impact" means the question invites evaluation.
  • Refer to your own film viewing experience to support your case studies.
  • Include an understanding of what trends are developing.

Friday, 15 May 2015

THE FILM INDUSTRY Working Title Films

Picture
We look at how WT serves UK audiences, the genre of films it offers, the reasons for its success and individual films such as The Theory of Everything and The Cornetto Trilogy. We look at its upcoming films.

You should be able to write about the marketing and distribution strategy for
The Theory of Everything.

Working Title Films is a British film production company, based in London owned by Universal Studios. The company was founded by Tim Bevan and Sarah Radclyffe in 1983. It produces feature films and several television productions.
  1. The Theory of Everything (2015)
  2. Everest (2014)
  3. Trash (2014)
  4. The Two Faces of January (2014)
  5. Mary Queen of Scots (2014)
  6. Rush (2013)
  7. Closed Circuit (2013)
  8. The World's End (2013)
  9. About Time (2013)
  10. I Give It a Year (2013)

THE FILM INDUSTRY Why 'Frozen' exemplifies Disney's success

Case study facts:

Disney Frozen 

Disney's tour brand Adventures by Disney introduced a Norway itinerary for 2014.
Disney picked up free advertising from fan videos of Frozen which Disney did not remove from YouTube.
Disney invited Demi Lovato to record 'Let It Go', reasoning that this version would be more mainstream than Idina Mendel, the Broadway star, and therefore get radio airtime.
1.
Take essential facts and figures from this website. 











2.
Take essential facts and figures from this website. 
Singalonga screenings prolong box office sales and promote DVD and BluRay sales.









3.
Summarize Disney's marketing strategy for Frozen using this site. Note the trailers and the box office revenue. Disney issued a stream of teaser trailers and trailers starting mid June before the Thanksgiving 2013 cinema release.










4.
We also noted two other Disney products: Guardians of the Galaxy and Malificent.
GG's marketing strategy employed saturation coverage, or 'blitzing' the public, such as the release of P & A and 5 character videos on one day.

Tuesday, 12 May 2015

TV DRAMA: Dr WHO (GENDER)

Today we do exam practice using the January 2009 paper, analysing the representation of gender. Hand in for marking.

Friday, 8 May 2015

TV DRAMA: MERLIN (CLASS AND STATUS)

Today we do a mini-mock exam practice using the June 2011 paper, analysing the representation of class and status. Hand in for marking.

Thursday, 7 May 2015

TV DRAMA: SPOOKS (GENDER) & THE HISTORY BOYS (REGIONAL IDENTITY)

Today we do exam practice using the TV series Spooks, analysing the representation of gender and The History Boys (regional identity).

Tuesday, 5 May 2015

FILM INDUSTRY

Today we revise for the exam by examining the impact of media ownership on the film industry. We work through each of the 7 bullet points on the Specification.