We practised writing about this, the final bullet point in the specification outlining G322 section B (see below). We integrate our response about national trends and our our consumption. You made your own notes.
Major online Indie film distribution platforms for uploading content:
Consumers as producers
Web 2.0
iTunes
BitTorrent Bundle
Vimeo on Demand
Platforms for home screenings as consumers continue to migrate towards online platforms:
Netflix
Amazon Prime
BBC iPlayer
BBC Britbox for US audiences
Mubi
Home cinema
Other platforms that you prefer
But we also go to the cinema
for the wide screen, Dolby surround sound
for 3D experiences (name the film & say why you chose cinematic exhibition: e.g.Fantastic Beasts, Arrival, Star Trek Beyond, Rogue One)
for the social experience.
Cinema attendance is robust with figures for 206 holding up, only slightly down on the previous year at 2.6 times a year per head nationally.
At the BFI study day, Rob Kenny, director of operations for Curzon, told us of his plans to open 50 more screens in the next five years. Curzon's USP: screenings tailored to engage diverse audiences, Curzon Artificial Eye as distributor, special events.
Pages
- Home
- OCR SPECIFICATION
- OCR MEDIA STUDIES H409
- G322 TV DRAMA
- 1 FORMS & CONVENTIONS
- 2 REPRESENTATION OF SOCIAL GROUPS
- 3 DISTRIBUTION
- 4 Who is YOUR TARGET AUDIENCE for your film?
- 5 ATTRACTING & ADDRESSING AUDIENCES
- 6 NEW TECHNOLOGIES
- 7 WHAT I HAVE LEARNED ABOUT FILM MAKING
- G322 Past Papers*
- 2012 G322: INSTITUTIONS & AUDIENCES (FILM)
- 2014 G322: INSTITUTIONS & AUDIENCES (FILM)
- 2017 G322: INSTITUTIONS & AUDIENCES (FILM)
- NARRATIVE
- BLOG TOOLS
- BRITISH INDEPENDENT FILM
- FILM TRENDS
Thank to share with us. I am studying in Polytechnic
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