RESEARCH: THE ART OF THE TITLE

Today I started to research opening title sequences in more detail...

As I am doing the film brief, I started my detailed research into opening credits..
In class I investigated the very useful website The Art of the Title http://www.artofthetitle.com  
Delicatessen (directed by Jeunet and Caro, 1991) 
For my first piece of close analysis, I used my own observations, class discussion and the website's own commentary, including the thoughts of Karin Fong, creative director and designer at Imaginary Forces, whose title work Terminator: Salvation, Boardwalk Empire and Rubicon. I have intentionally included comments on what in particular inspired me and my thoughts on how I might use the inspiration in my own foundation production.

• The genre of this film is black comedy, so the title design is witty, in that it invites the viewer to take pleasure in the way that each credit is embedded in an appropriate visual clue: the director of photography engraved on a camera, the costume designer is embroidered on a clothes label and so on.
• The historical period is clearly established by the period quality of the artefacts: old technology, paper tags, folding wooden ruler and so on.
• Colour and lighting are key visual codes. The sepia tone lends a period air and the colour black predominates, underscoring the grim nature of the subject matter: the objects are all the dusty possessions abandoned by their owners who have been invited in, fattened up and butchered to feed the hungry inhabitants of the commune.
• The camera movement is part of the method: the camera pans in a slow glide over the series of abandoned possessions, stopping over each credit to allow the viewer to scrutinize and take in the cleverness of each device.